I was always hoping for a plugin like this to show up. Link: Waves Abbey Road TG Mastering Chain This will make it much easier for you to compare before/after results. Work with the output gain so that the output of the plugin stays as loud as the bypassed signal.Look out for that, because mastering is all about subtle enhancements! The plugin sounds quite rich and it’s easy to get carried away and do too much.Also works great on individual tracks or group buses. Spend some time getting to know the different modes of the compressor.Click the little switch on the top right corner of each module. You can expand the modules to get more functionality.The EQ is good too – vibey and quick to get good results with. The stereo widener on the TG Mastering Chain can also sound amazing with the right material. It is the best Waves compressor for mastering. It has fantastic Mid-Side and sidechaining options, which make it a lot more versatile than it may seem at the first glance. It’s very good for adding thickness and glue or creating subtle pumping movement. The reason I included this plugin here is simply because I love how it sounds. The silver lining is that this plugin forces you to listen carefully and make decisions based on what you are hearing. The nature of some of the controls (particularly on the compressor) is not instantly obvious. Especially if you’re not used to operating older analog equipment (or plugins modeled of them). There is a small learning curve involved with the Abbey Road TG Mastering Chain. The sections can be switched on/off and you can change the order of the processing. The plugin has several different sections including filters, EQ, compression and stereo widening. It was used on many legendary albums, such as Pink Floyd’s The Dark Side of the Moon, Nirvana’s In Utero, Radiohead’s OK Computer and Ed Sheeran’s “+” to name a few. The Waves Abbey Road TG Mastering Chain models the vintage EMI TG12410 Transfer Console used in all of the Abbey Road mastering suites ever since the ’70s.
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